The 6 p.m. centerpiece showing of Danny Boyle’s Steve Jobs (2015) at the New York Film Festival started with the entire audience singing the birthday song. It just so happened to be Kate Winslet’s birthday (Winslet plays Joanna Hoffman, a marketing exec at Apple and Jobs’s confidant). After the cast filtered onto the stage, the director led the actors and audience in a spirited, off-key rendition of the well-known lyrics. The surprising intimacy of these few minutes—encapsulated in the moment when the audience called Winslet by her first name, as though we were all old friends—was a component notably absent from the film itself.
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Steve Jobs (2015). Reviewed by Dominique Silverman
Visit, or Memories and Confessions (1982). Reviewed by Adam Reece
It’s hard to say exactly what Visit, or Memories and Confessions (Oliveira 1982) is about. A house, a family, a filmmaker, or a marriage are all fine answers, but they fail to capture the feeling of the film. Shot in 1982, it was only screened after Oliveira’s death in 2015. Oliveira presumably thought he was near death at the time, but he would go on to live another 33 years. We receive a tour, of sorts, of the house he and his wife were living in at the time. At times, Oliveira addresses us directly, sitting at his desk and looking toward the camera. At others, his body is nowhere in sight, but his voiceover follows us as the camera tracks down empty hallways or lingers on a photo. Occasionally, Oliveira is silent, letting the shots speak for themselves.
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Where to Invade Next (2015). Reviewed by Christian Leus
“Prepare to be shocked!” warns the trailer for Where to Invade Next. The film’s firebrand director, Michael Moore, brandishes a six-foot-tall American flag to the low roar of Joan Jett’s “Bad Reputation.” The film is drenched in this imagery, painting Moore as the populist vigilante telling the truths that The Man – in this case, the American government – doesn’t want us to hear. But past the bravado, Moore delivers unsurprising revelations to an audience who already knows them.
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Worlds Emerging/The Late Quartet (2012-2014). Reviewed by Dominique Silverman
The day I traveled to the New York Film Festival was exhausting. My classmates and I rose early in the morning and rushed to the Little Rock airport (cutting it a little too close for comfort in the eyes of our professor eagerly waiting at LIT). We flew to Chicago’s ORD before landing at JFK. Then, as soon as I settled into our hotel it was time to rush to Lincoln Center for my first film of the festival. When I arrived at the theater just in time and dazedly nestled into my seat, instead of catching my breath, I held it.
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FM 6.3 (2015) Is Out!
Film Matters is pleased to release issue 6.3 (2015), our final 2015 issue before we start on 2016 with volume 7!
In this issue, you’ll find the following peer-reviewed feature articles:
- The Horrors of John Carpenter’s Halloween by Andrew Deacon
- The Production Code Administration and Sexualized Spaces in East of Eden
by Theresa Heitz - Crime and Punishment: Challenging the Cinematic Male Gaze with Takashi Miike’s Audition by Jonah Jeng
- The Otaku-Hero by Ekaterina Kormilitsyna
- Censorship: Representations of Justice in James M. Cain Adaptations by Dillan Newman
- Spectatorship and Synchronous Sound Before the Transition: A Contextual Analysis of Chronophone, Phonofilm, and Movietone Shorts by Nace Zavrl
Two “Mapping Contemporary Cinema” articles:
- The Star Producer, Abortion and Obama in The Ides of March by Rosemary Koper
- The Industrial, Political and Generic Economics of Killing Them Softly by Ben Skyrme
These featurettes:
- Astolat ki Lekhi (Speaking in Tongues): An Interview with Language Creator David J. Peterson by Christopher Schammel
- Massaging the Ears: The Centrality of Sound in Raise the Red Lantern by Rocco Tenaglia III
- From Big Budget to Independent: An Interview with Terrie Batson by Chic Scaparo
A dossier on censorship, which includes the following featurettes:
- The Censorship of Art After Death: Looking at Stanley Kubrick’s History with Censorship by Travis Richard Merchant
- Creating Art Not War in a World Where Art Is War: An Iranian Filmmaker’s Strive for Justice by Karsu Nalbantoglu
- Raise Ravens and They’ll Peck Out Your Eyes: How Spanish Filmmakers Bypassed Film Censorship During the Franco Dictatorship by Brianna Okamoto
- Censorship: An Interview with Ryan Prout by Brianna Okamoto
- Blood, Guts, and Disgust: The Effects of Censorship Changes on American Horror Films by Lydia Plantamura
- Films with a Criminal Record: An Investigation of Exploitation Films by Rachel Wassil
An exciting new venture, “High School Spotlight,” which includes:
- Preface by Kailyn N. Warpole
- Teenage Movies and Finding the Meaning of Life by Katherine Kossoy
Yet another dossier, this one on Robin Williams, which includes the following featurettes:
- Carpe Diem and Coming-of-Age in Dead Poets Society by Abigail Anundson
- The Improv Genius Himself: How Robin Williams Changed Show Business by Jackson R. Gentry
- A Performer Who Influenced a Generation by Chance Saller
As well as book and film/DVD/Blu-ray reviews by: Kevin Bahr, Rachel Beaney, Victoria Berndt, Paige Blankenship, Meredith A. Bryant, Joseph Bye, Sean Campbell, Robert J. Chase, Dominic Clarke, Wiebe Copman, Sophia Gant, Oscar Garza, Adam Getz, Matthew Grant, Philip Guglielmi, Yeng Hang, Brent Holmes, Mars Incrucio, Cody Jarman, Justin Ray Jonathan King, Mynt Marsellus, Richard F. Martin, Sarah McBain, Aaron Miller, Taylor K. O’Steen, Afra Siddiqui, Kailyn N. Warpole, and John Garland Winn.
It’s a big issue! For more information about issue 6.3, please visit Intellect’s website: http://www.intellectbooks.co.uk/journals/view-issue,id=3067/
Film Matters is always looking for new authors and guest editors. Please get in touch with us today!
Announcing the Winner of the Inaugural Film Matters Masoud Yazdani Award for Excellence in Undergraduate Film Scholarship
In honor of Masoud Yazdani, Chairman of Intellect, who passed away in 2014, Film Matters recently commissioned its inaugural Award for Excellence in Undergraduate Film Scholarship. This tribute reflects Masoud’s keen interest in and support of Film Matters and — by extension — undergraduate scholars. This book award will now be given annually to a Film Matters author who has published a feature article during the previous volume year. The winning author receives a book from the field of film studies, in recognition of his/her achievement.
Film Matters is very pleased to report that, following a lengthy judging process (conducted by three individual academics based at institutions of higher education worldwide), the winner of the first Yazdani Award is Christina Newland, for her FM 5.1 (2014) article, “Archetypes of the Southern Gothic: The Night of the Hunter and Killer Joe.” Congratulations to Christina on her fine achievement, among what was an exceptionally high level of writing across the entire group of essays.
Christina will be receiving a copy of Valeria Belletti’s Adventures of a Hollywood Secretary: Her Private Letters from Inside the Studios of the 1920s, published by the University of California Press in 2006. This book will support her ongoing research for a forthcoming project.
We would also like to thank our diligent panel of judges, responsible for assessing an entire calendar year of FM articles: Michael Benton, part of the faculty of the Humanities Department at the Bluegrass Community and Technical College in Kentucky, USA; Stephen Charbonneau, Associate Professor of Film Studies and Associate Director of the School of Communication and Multimedia Studies at Florida Atlantic University, USA; and Scott Wilson, Programme Leader and Senior Lecturer at the Unitec Institute of Technology, New Zealand. Their service was instrumental to the award process.
Judging for the 2016 award (for volume 6, 2015, feature articles) will be underway soon.
Scoring Night and the City. By Jennifer Fleeger and Jordan Scharaga
Film Matters is pleased to bring you an exciting multimedia collaboration between professor and undergraduate student at Ursinus College, Scoring Night and the City. Professor Jennifer Fleeger and Jordan Scharaga have produced an insightful compare-and-contrast commentary on the scoring differences between the two versions of Jules Dassin’s Night and the City (1950) — both of which you can view on Criterion’s 2015 Blu-ray release. We hope to see more collaborations like this in future and thank Fleeger and Scharaga for their work!
Author Biographies
Jennifer Fleeger is an assistant professor in the Media and Communication Studies Department at Ursinus College. She is the author of two books: Sounding American (Oxford UP, 2014) explores the importance of opera and jazz during the conversion to sound in Hollywood and Mismatched Women (Oxford UP, 2014) examines the connection between women who don’t sound like they look and new technologies for recording and visualizing music, from Trilby and the phonograph to Susan Boyle and the internet. She has published articles and reviews in Camera Obscura; Music, Sound, and the Moving Image; Quarterly Review of Film and Video; and Popular Music and Society.
Jordan Scharaga is a junior Media and Communications major and eager film minor at Ursinus College. Her love of film began at the early age of three when she would watch The Philadelphia Story with her mother. She looks forward to pursuing her interest in film through both scholarly and production-related outlets.
FM 6.2 (2015) — Guest Edited by The Ohio State University — Is Now Out!
Film Matters is pleased to announce the release of issue 6.2 (2015), guest edited by The Ohio State University’s Margaret C. Flinn, with Associate Guest Editors Paige Piper and Matthew Roesch.
In this issue, you’ll find the following peer-reviewed feature articles:
- Bodies at the Margin: Rethinking Corporeal Cinema in Claire Denis’s Les Salauds by Jules O’Dwyer
- “Disciplined Silence” and “Wandering Talk”: Poetry and Punctuation in the Films of Abbas Kiarostami by Roxanna Haghighat
- Howl’s “Kaleidoscopic Facets”: Accessing the “Multitrack” Elements of Allen Ginsberg’s Poetry through Animation by Anna Varadi
- Gothic Melodrama, Hindi Cinema and Subversions of Genre in Madhumati by Nooreen Reza
- Creating Interiority in Darren Aronofsky’s Black Swan: An Issue of Composition, Space, and Visual Distortion by Alice Vignoles-Russell
These featurettes:
- Wexner Center Interview with Director of Film/Video David Filipi and Curator of the Film/Video Studio Program Jennifer Lange by Bob Adrion
- Graduate Program Review: School of the Art Institute of Chicago: MFA, Department of Film, Video, New Media, and Animation by Mikayla Bungard
- Graduate Program Review: CalArts School of Film/Video by Chris Wittum
- A Look into the Journal of Short Film by Thomas Gardner
- Don’t Screenwrite Grad School Off: An Assessment of the MFA in Screenwriting from USC and UCLA by Cyrus Adeli
As well as book and film/DVD/Blu-ray reviews by: Cyrus Adeli, Stephen Belden, Eoin Bell-Games, Franz Ross, Ha Eyn Song, and Chris Wittum.
For more information about issue 6.2, please visit Intellect’s website: http://www.intellectbooks.co.uk/journals/view-issue,id=3007/
Film Matters is always looking to work with new guest editors from institutions around the globe. Please get in touch with us today if you want to bring this unique applied learning experience to your campus and undergraduate students!
Our Little Sister (2015). Reviewed by John Bennett
There’s no avoiding schmaltz and melodrama; they’ve been a part of our filmgoing experience since Griffith. But careful consideration of melodramatic stories can help us distinguish what is an honest expression of a strongly felt emotion from maudlin exploitation. When so many movies and TV shows exploit moments to give us cheap feels, Hirokazu Koreeda’s Our Little Sister lets finely expressed moments build on one another, making Our Little Sister a feel-good movie without making us feel like we’re being sold a feel-good movie: it’s a successful family drama with true niceness at its core.
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Announcing Open Call for Papers 8.3
Film Matters is officially announcing our open call for papers for consideration in issue 8.3 (2017) — the deadline is September 1, 2016. Undergraduates and recent graduates, please submit your film-related research papers today!
For more information, please download the official document (in Word):
Submissions and questions should be directed to:
- futurefilmscholars AT gmail.com
We look forward to receiving your papers!