We are shining a light on the TOC of FM 13.3, now out, which includes the following peer-reviewed features:
- In the Infinite Pool: The Cinematic Spectatorship of Sleep Has Her House (2017) by Sloane Dzhitenov
- “A Ritz Among Laundrettes”: Identities and New Waves in My Beautiful Laundrette by Emma Fergusson
- Flâneuserie Reimagined: Ida and Purposeful Wandering by Monica Foster
- Trains and Constrains: Re-Examining the Griersonian Documentary Influence upon David Lean’s Brief Encounter (1945) by Emily Moore
A Contemporary Horror Cinema Dossier, edited and curated by Georgia Gwinnett College:
- Dossier Introduction: Contemporary Horror Cinema by Adam Cottrel, Charlie Michael and Stacy Rusnak
- Subverting Representation: African Americans in Horror Film by Michael Gopaul
- Men to Villains: Competitive Masculinity in The Lighthouse by Madison Coleman
- Feminism and the Horrors of Toxic Masculinity in Pedro Almodóvar’s The Skin I Live In (2011) by Mason Nagy
- Reclaiming the Abject: Witchcraft and the Sacrificial Femininity in Suspiria by Dorian Burnsed
- Defying Death and the Natural Order: True Terror in Alfred Hitchcock’s The Birds by Andrew Brackens
And this featurette:
For more information about this issue, please visit:
https://intellectdiscover.com/content/journals/fm/13/3
Are you an undergraduate author who wants to be published in Film Matters? Then we want to work with you! Please check out all the different ways you can publish with us.
Happy spring!