Film Matters is happy to reveal the TOC of our first issue of 2024, FM 15.1, which includes the following peer-reviewed features:
- Cinécriture Féminine: Female Subjectivity in Varda’s Cléo from 5 to 7 (1962) in Comparison with Godard’s Films by Wenxin Liang
- The Lesser Examined Coming of Age: Luchino Visconti’s Death in Venice (1971) by Sophia Rubino
- In Plight and Reformation: Transnationalism and “Chinese-ness” in the 1930s and Recent East Chinese Films by Qingheng Yu
The Post FM Dossier:
- Believing in Film: Christianity and Classic European Cinema, Mark Le Fanu (2020) by Tanner Benson
- Alain Resnais: Interviews, Lynn A. Higgins, ed., T. Jefferson Kline, trans. (2021) by Ben Holland
- Ruth Beckermann, Eszter Kondor and Michael Loebenstein, eds. (2019) by Genie Mason
- Iranian Cinema and the Islamic Revolution, Shahla Mirbakhtyar (2006) by Sohrab Mirab
These book reviews:
- 100 Bible Films, Matthew Page (2022) by Joe Cockrell
- Projections of Passing: Postwar Anxieties and Hollywood Films, 1947–1960, N. Megan Kelley (2016) by Holland Elana
And last, but not least, some film reviews:
- Nightmare Alley (2021) by Dason Fuller
- Midsommar: An Elusive Tapestry of Meaning by Nathan Garr
- The Matrix: Revolving by Demi E. M. Garten
- Poor Things (2023) by Ashleigh Laverack
For more information about this issue, please visit:
https://intellectdiscover.com/content/journals/fm/15/1
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