In the era of Britain’s Thatcher administration, a repertory cinema emerged as a cultural phenomenon that would inspire a generation. SCALA!!!, directed by Ali Catterall and Jane Giles, unfolds the riotous inside story of the infamous Scala Cinema. Between 1978 and 1993, this cinematic haven stood as a sanctuary for those yearning to escape the mundane, offering a daily changing program that traversed the realms of high art, horror, sexploitation, kung fu, and LGBTQIA+ representation.
The film takes us on a journey through time, from the inception of Scala in 1905 to its eventual demise in 1969, only to rise again as a mecca for cinephiles during the rock and roll cinema era of 1978-1981. Scala became synonymous with rebellion and excitement, a “wonderland” where winding staircases and intriguing-looking people guided you to a realm that transcended cultural norms. As the documentary unfolds, it paints a vivid picture of Scala as more than just a cinema—it was a cultural hub, a place of exploration, and a haven for those seeking connection beyond the mainstream. A pivotal moment in the film centers around the screening of David Lynch’s Eraserhead (1977), a surrealist masterpiece that echoed the avant-garde spirit of the cinema itself. The Scala, often referred to as “Narnia,” became a portal to another world, pushing through cultural walls and inviting audiences to embark on a journey of discovery.
The documentary introduces us to the diverse audience members who graced Scala’s doors—filmmakers, musicians, writers, actors, activists, and artists. Through new interviews and previously unseen archival material, the directors capture the essence of Scala’s impact on these individuals and the broader cultural landscape. The community that thrived within its walls is brought to life through iconic movie clips, animations, graphics, and a thrilling new score by the celebrated musician Barry Adamson. As I immersed myself in the narrative, I found myself captivated by the stories of Scala’s monthly film posters becoming cherished anticipation markers for cinephiles. The need for a Scala membership card to gain entry added an exclusive touch, fostering a sense of belonging among its patrons.
A poignant aspect highlighted in the film is Scala’s role during the gay rights movement in London. Films like Sebastiane (1976), a homoerotic masterpiece, played a crucial role in the coming-of-age experience for gay men attending Scala. The cinema was more than just a place to watch movies; it was a “safe place” for the LGBTQIA+ community, a sanctuary where identities could be explored and celebrated without judgment. The documentary beautifully weaves personal narratives with historical anecdotes, presenting Scala not as a relic of the past but as a beacon of resilience and cultural significance with clear parallels to contemporary struggles. The filmmakers masterfully capture the universal themes of youthful discovery and the underdog versus the establishment, transcending nostalgia to resonate with audiences today.
Watching SCALA!!! informed me of an incredibly important part of gay history, and I emerged from the experience with a profound sense of gratitude for the trailblazers who created spaces like Scala. It sparked a realization that the importance of “safe places” extends beyond cinema—it resonates in the mentorship I provide to students. It is now my goal to create an environment where individuals can feel seen, heard, and valued, fostering a sense of belonging that echoes the spirit of Scala and its impact on a generation seeking connection and liberation.
Author Biography
Lexi Collinsworth, a master’s student specializing in dance filmmaking at the University of North Carolina Wilmington, founded the student organization “Dance on Film,” guiding undergraduates and fostering interdisciplinary art. She runs a photography business called “The Reel Shot” and recently codirected the dance film Reflections in Motion, which premiered at the Cucalorus Film Festival in November.
