Film Matters is excited to announce the release of FM 4.3 (2013) — on the heels of FM 4.2 — which features an engaging guest-edited dossier on the New Directors/New Films festival by Kristi McKim and her students at Hendrix College. The dossier includes film reviews by:
- Vincent Gammill
- Catelyn Gibbs
- Rane Peerson
- William Repass
- Adelia Shiffraw
- Emily Smith
- Lance St. Laurent
FM 4.3 also includes the following peer-reviewed feature articles:
- Flipping Your Fins Can Get You Far: How the Walt Disney Company Has Ensured the Longevity of The Little Mermaid Through Franchise Management by Kayleigh Bonner
- The Surrealist Aesthetic: From Breton to Almodóvar by Diana M. Fraser
- The Ideological Effects of Intensified Continuity by Zachary Klaver
- The “Unfilmable” Lightness of Being?: Essayistic Devices in Kaufman’s Adaptation of The Unbearable Lightness of Being by Brandon Konecny
- I’ve Got Nothing: The Poorly Executed Ideas of a Rich Industry by Guy Madjar
- The Impossibility of Memory: Anamnesis and Reflexive Documentary by Erin Nunoda
- Intertitle Humor and the Representation of Heterosexual Marriage in Why Change Your Wife? by Erica Tortolani
The latest “Mapping Contemporary Cinema” column:
These featurettes:
- Local Liaison: Interview with Wilmington Regional Film Commission Director, Johnny Griffin by Ivy Burridge
- Find the Animals: An Interview with Scott Myers of Go into the Story by Laura Casteel
- A Disc-Less Future: The Rise and Fall of Physical Media by Matthew D. C. Stamm
Book reviews by: Steven T. Gamble and Jaime Carlos Menjivar
As well as a “Film Bytes” column on Holy Motors (Carax, 2012).
For more information about this new issue, please visit: http://www.intellectbooks.co.uk/journals/view-issue,id=2720/
And think about becoming a Film Matters author yourself — submit a paper to CFP 6.2 today!: https://www.filmmattersmagazine.com/2014/04/28/cfp-6-2-2015-national-cinema-auteurism-and-genre/
