Film Matters is pleased to announce the release of issue 4.1, which includes the following peer-reviewed feature articles:
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Sub-Cultural Ethnography and the Case for Dogtown and Z-Boys by Christopher G. da Canha
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“Hearing” War Crimes: Affective Evocation of Violence and Political Engagement through Sound Editing in Jean-Luc Godard’s Masculin Féminin (1965) and Michael Haneke’s Caché (2005) by Kevin Hatch
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Emotional Engagement in Representations and the Issue of Perceptual Realism by Hanna Kubicka
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Martin Scorsese’s Raging Bull, Italian American Masculinity, and the American Dream by Christina Marie Newland
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More than a Musical Mission from God: Themes of Unification in The Blues Brothers as Fleshed Out by Bollywood Masala Cinemaby Grayson Nowak
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Fantasia and the Generic Confluence of Convention and Abstraction by Erin Nunoda
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CGI: An Evolution in Cinema by Matthew D. C. Stamm
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Pied Piper vs. Faun: Storybooks and Female Empowerment in The Sweet Hereafter and Pan’s Labyrinth by Amanda Stonebarger
These featurettes:
- Der Räuber/The Robber (2010) and the Berlin School by Amy Lewis
- A Conversation with Su Friedrich by Jacob Mertens
- Is It Worth It? by Eliccia N. Edwards
- For Film Fans by Film Fans: A Look at Firstshowing.net by Joey Powell
And our first dossier on film schools and resources, which includes the following special featurettes:
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UC Berkeley’s Film Studies Program by Eamon Fay
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Western Carolina University’s ‘‘Motion Picture and Television Production’’ Program by Rachel C. Gentry
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Florida State University College of Motion Picture Arts by Brooke Gibson
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Not Your Average Film School: A Brief Overview of SMFA by Jonathan V. Mariano
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Obligated to In-State by Lawson Sitterding
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Longhorns with Lenses by Levi Vasquez
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The Moving Image Archives at UNCSA by Joshua D. Zich
Not to mention some engaging reviews of recent books, films, and DVDs/Blu-rays by Jude Warne, Shane Wisniewski, Kale Hills, Brendan Boyle, and Duygu Eyrenci.
It’s a packed issue! For more information, please visit: http://www.intellectbooks.co.uk/journals../view-issue,id=2585/
And think about becoming a Film Matters author today! Submit to open call 5.3 by February 1, 2014!