Just in time for the Film Matters relaunch happening at UNCW tonight, February 5th (http://www.uncw.edu/articles/2013/01/filmstudiesintellect/), we’re pleased to officially announce the release of issue 3.2, in which you will find the following peer-reviewed feature articles:
- Pictures are Worth … Like … A Lot More Words, Ya Know? by Derek Bockman
- The Depiction and Counteraction of Asian and Asian American Cinematic Stereotypes in Charlotte Sometimes by Martin C. Chlapecka
- “Returning the Look”: Spectatorship and Feminist Aesthetics in Jeanne Dielman by Brian Huser
- Propaganda Cinema and the Mobilization of the British Home Front in World War II: In Which We Serve and Mrs. Miniver by Lewis Adam Lawrence
- War and Poetry: The Use of Genre Violence and Poetic Digression in The Thin Red Line by Jacob Mertens
- The Stewardesses: 3D Soft-core that Kills by Henry Rownd
- Slavoj Žižek on War and Cinema: The Hurt Locker Between Theory and Post-Theory by Jennifer Sider
As well as these featurettes:
- “Rainbow Reality, Man”: Color and Reality at the Heart of Darkness in Apocalypse Now and Waltz with Bashir by Andrew Magee
- Emasculating American Bourgeoisie Culture: The Graduate and the Critique of Material Prosperity as Happiness by Eric Hinrichsen
- The Raw Deal Lighting of John Alton in Hollywood Film Noir by William Frasca
- Industrial Change and Historical Revision in The Assassination of Jesse James by the Coward Robert Ford by Simon Dickson
In addition, this issue includes the winning frame analysis for Zeitgeist’s Vision by Paul Tortolo, as well as the next “Film Bytes” column and book and film/DVD reviews. For more information about this issue, please visit: http://www.intellectbooks.co.uk/journals/view-issue,id=2339/
We have some excellent issues lined up to round out volume three, so stay tuned! And if you are in the Wilmington, NC area, we hope to see you at the relaunch tonight!
