Call for Print Reviews

Film Matters is actively seeking book and film/DVD/Blu-ray reviews by current undergraduate students for future print issues.

Here is our list of available books:

We also have the following Blu-ray(s) from Criterion (before requesting a Blu-ray, please make sure you can play region A/1 media via your technology):

  • About Dry Grasses (2023)
  • All That Breathes (2022)
  • Anselm (2023)
  • Gummo (1997)
  • Orlando: My Political Biography (2023)
  • Pandora’s Box (1929)
  • Three Revolutionary Films by Ousmane Sembène (1971-1977)
  • Totem (2023)

Students interested in this opportunity should send a brief statement of interest (taking care to indicate any relevant qualifications for reviewing a specific title, like past course work, etc.) to: 

futurefilmscholars AT gmail.com

It definitely helps to provide some backup selections in your statement, in the event that your first-choice request has already been claimed by someone else.

Students who are selected for this opportunity will receive a review copy of the item, which they can keep with our (and the distributor’s) compliments in exchange for the written review. Build your CV with us!

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12th Annual Chelsea Film Festival Announces Its 2024 LGBTQ+ Lineup

Chelsea Film Festival 2024 logo

The 12th Annual Edition of Chelsea Film Festival will be presenting 4 Narrative Features, 3 Documentaries, 26 Narrative Shorts and 2 Indie Episodics, totaling 35 films directed by LGBTQ+ filmmakers.

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Announcing FM 15.1 (2024)!

FM 15.1 cover image

Film Matters is happy to reveal the TOC of our first issue of 2024, FM 15.1, which includes the following peer-reviewed features:

The Post FM Dossier:

These book reviews:

And last, but not least, some film reviews:

For more information about this issue, please visit: 

https://intellectdiscover.com/content/journals/fm/15/1

Are you an undergraduate author who wants to be published in Film Matters? Then we want to work with you! Please check out all the different ways you can publish with us.

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12th Annual Chelsea Film Festival Announces Its 2024 Female Directors

Chelsea Film Festival 2024 logo

The 12th Annual Edition of Chelsea Film Festival will be presenting 5 Narrative Features, 54 Narrative Shorts, 6 Indie Episodics, and 6 Documentaries directed by Female Directors, totaling 71 titles directed by women.

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Interview with Written by Mike Director Ryan Cudahy. By Sophia Fuller

Poster for Written by Mike, featuring a close-up of two clasped hands, as if a couple walking together.

Sophia Fuller: Tell us a little bit about yourself; how did you get started in filmmaking?

Ryan Cudahy: This is actually a story I have told quite a bit. I have been passionate about film my entire life. It really started when I was four years old and my dad got a camcorder. I was already really into movies at the time. I had also gotten a reptar wagon toy from Rugrats for Christmas, and I was convinced that if I held the camera in the right way and made the angles just right, it would look exactly like the cartoon. Obviously, it didn’t work but it was a good start. It was around middle school where I realized I really wanted to be a director. I enrolled in a filmmaking course my freshman year of high school and it was really exciting. I decided to make a short film about cows taking their revenge on humans for eating them. It was just a comedy short film but it was significantly worse than other people’s films in the class. I realized if I actually want to do this, I really need to step it up. Instead of just making a bunch of other stuff, I took a break and watched about three hundred movies. I made a list of the movies I had heard of that were the best of all time and then when I was ready to start making short films again, I was able to make some stuff that I was moderately proud of. Then I went on to study at James Madison University for video production for media arts and design. I was struggling with my mental health, which truly plays into what this movie is about, and I decided to take a leave of absence. I always wanted to stick with film and I ended up in a career working as a producer for a very long time with a production company. During COVID, I worked on the TV series called Swagger. Once we came out of quarantine, I worked on the locations team for that. I always wanted to make this film that we just made. It was a very personal project to me and I am really glad we were able to make it and with how it turned out The film is mainly shot in Fredericksburg, Virginia, where I recently just founded the Fredericksburg Film Festival. We just had the first year of that, which was fantastic. That’s kind of my way of sticking with everything.

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12th Annual Chelsea Film Festival Announces Its 2024 Narrative Feature Lineup

Chelsea Film Festival 2024 logo

The 12th Annual Edition of Chelsea Film Festival (CFF) is releasing the list of narrative and documentary features: 16 Narrative Features have been selected in the 2024 Official Lineup. 7 countries are represented this year: India, Iran, Israel, Lithuania, Switzerland, United Arab Emirates, and United States. 150 Films from 21 countries are represented at this year’s 12th annual edition. The 16 Narrative Features are in competition for the Chelsea Film Festival Grand Prix.

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Paige Hartenburg, Author of FM 14.3 (2023) Article “See No Evil: Audio Identification with the Monstrous in Under the Skin”

Scarlett Johansson as The Woman in Under the Skin -- she is facing the camera, lying on her side, curled up in the fetal position, her head resting in the lower left corner of the frame; superimposed is an extreme long shot of a green forest.
Scarlett Johansson (The Woman) in a moment of peace, Johnathan Glazer (dir.), Under the Skin (A24, 2013). 

Film Matters: Please tell us about your article that is being published in Film Matters.

Paige Hartenburg: My article, “See No Evil: Audio Identification with the Monstrous in Under the Skin,” focuses on the relationship between identity and body as seen in horror. Commenting on Carol Clover’s Final Girl and Kara Silverman’s female authorial voice, my essay argues that audio provides audiences an opportunity to choose how they identify the film’s protagonist: as a monster or as the Final Girl. Through audio, Under the Skin (2013) provides alternative modes of reading that allow the film to take on subjective meaning.

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Mary Beth Bauermann, Author of FM 14.3 (2023) Article “‘Wake Up!’ with Narrative Film Music: Optimizing Narrative Power Through Spike Lee’s Compilation Soundtracks of Popular Music”

A screenshot from Spike Lee's Malcolm X (1992) -- a low-angle medium shot of Denzel Washington, wearing a dark wool overcoat, white collared shirt and dark tie, and black winter hat; he stands in a city street, a leafless tree and buildings in the background.
Spike Lee’s iconic double dolly shot captures Malcolm X (Denzel Washington) floating toward his death, while “A Change Is Gonna Come” plays. Malcolm X (Warner Bros., 1992).

Film Matters: Please tell us about your article that is being published in Film Matters.

Mary Beth Bauermann: This article takes a deep dive into three of Spike Lee’s films that feature significant compilation soundtracks of American popular music: Malcolm X (1992), Crooklyn (1994), and BlacKkKlansman (2018). The music that fills these soundtracks recalls historic eras and specific sociocultural events, grounding audiences in two coexisting worlds: Lee’s diegesis and our American society. Ultimately, the soundtracks facilitate audiences’ understanding that the stories conveyed in each film narrative exist in our own history, past and present.

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Leandra Djomo, Author of FM 14.3 (2023) Article “Daydreaming: An Exposé on VR Technology as a Form of Digital Escapism and Identity Design”

A color animated image, a screenshot from the film Paprika -- a young woman, in medium shot, wearing a lab coat, has her back turned toward the camera; she looks out the window at a city skyline in the evening; her reflection is a different woman wearing a red dress and with short reddish brown hair (instead of long black hair in a bun).
“Paprika wears vibrant colors, from her red shirt and lipstick to her red hair which reflect her bubbly and radiant personality. Dr. Chiba wears neutral colors with her hair in a professional chignon which shows her reserved yet eloquent personality.” Paprika (Sony Pictures Classics, 2006). Japan House London.

Film Matters: Please tell us about your article that is being published in Film Matters.

Leandra Djomo: My article “Daydreaming” focuses on the distortion of identity caused by VR technology in Satoshi Kon’s 2006 film Paprika and how that distortion serves as a way to escape reality. What attracted me to this film were the fun colors and the ultimate confusion that came with trying to understand where reality began and where fiction ended. I found this confusion to be horrific, and as a horror fanatic, I wanted to explore this sentiment further. Although, Paprika is certainly not considered a horror film.

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FM 14.3 (2023) TOC Highlights

Cover of FM 14.3 (2023) -- a bisected screenshot from Malcolm X of a Black man (Denzel Washington as Malcolm X) on a city street, trees and buildings in the background, as he looks toward the camera while wearing an overcoat, suit and tie, and hat; the resulting two images are overlaid by a blue filter.

Film Matters is happy to announce the TOC of our final issue of 2023, FM 14.3, which includes the following peer-reviewed features:

As well as this featurette:

These book reviews:

Film reviews:

And this DVD/Blu-ray review:

For more information about this issue, please visit: 

https://intellectdiscover.com/content/journals/fm/14/3

Are you an undergraduate author who wants to be published in Film Matters? Then we want to work with you! Please check out all the different ways you can publish with us.

Our next deadline is quickly approaching! So we hope to hear from you on or before September 1! In the meantime, happy new AY!

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Interview with Filmmaker Kim Carr. By Kim Carr and Sophia Fuller

Poster for Station MVP, which depicts a close-up of a woman speaking into a radio microphone

Station MVP explores the behind-the-scenes world of a public radio station and the characters who work there. The protagonist Jamie is in over her head—she must navigate a demanding new job, her zany colleagues, and ongoing threats from her estranged husband.  She’s a no-nonsense woman who battles the highs and lows of dealing with a position of power while trying to forget the time when she had hers taken away. Despite it all, she still has her sense of humor, and the fictional Maggie Valley Public Radio—WMVP—is lucky to have her!

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